Retired Principal Violist and First Violinist of the Chicago Symphony Orchestra OFFERS ADVANCED AUDITION COACHING
Mr. Pikler will coach and prepare violinists or violists for a professional symphony or opera orchestra audition; If interested, please inquire via Mr. Pikler's e-mail. Submit a 15-20 minute sample of your playing, which best demonstrates your skill. The repertoire choice for this sample can include (but not limited to) a concerto, etude, sonata, and/or orchestra excerpt(s) Please indicate college degree status and if currently enrolled in a program at a school, conservatory, or university.
CONTACT EMAIL: email@example.com
CONTACT PHONE: 847-835-5362
Fort Wayne Philharmonic's Maestro Andrew Constantine with Charlie post-rehearsal
Andrew Constantine's reaction to Charlie's conducting skills plus Charlie's shocking "conductor's joke.":
Andrew: Your stick technique stinks!
Charlie: Maestro Constantine; are you aware that I recently stuck my finger into an electric socket and did not get electrocuted?
Andrew: Heavens! How could this be possible?
Charlie: Simple! I am a poor conductor!
Internationally Renowned Performer and Educator
Charles Pikler joined the Chicago Symphony Orchestra as a first violinist and, in 1986, he was named principal violist. Upon his retirement in October 2017, he received the Theodore Thomas Medallion for Distinguished Service.
Pikler studied the piano with his parents and violin with Ben Ornstein, Bronislaw Gimpel at the University of Connecticut and Roman Totenberg at the Tanglewood Young Artist Program at the Berkshire Music Center. While a student, he appeared as soloist with the Hartford Symphony Orchestra, Eastern Connecticut Symphony and Manchester Civic Orchestra (CT), among others. In addition, he earned his Bachelor of Arts degree in Mathematics with Honors from the University of Minnesota.
He launched his musical career as a violinist with the Minnesota Orchestra in 1971, later becoming a member of the Cleveland Orchestra (1974 to 1976) and the Rotterdam Philharmonic (1976 to 1978). In 1978, at the invitation of Sir Georg Solti, Mr. Pikler became a member of the first violin section of the Chicago Symphony Orchestra. Following the retirement of the longtime principal violist Milton Preves, Pikler was named his successor in 1986, as the Prince Charitable Trust Chair, eventually becoming the Paul Hindemith Principal Viola Endowed Chair.
Pikler has been featured as a soloist with the CSO under Sir Georg Solti and Daniel Barenboim, as well as with other titled and guest conductors such as Sir Andrew Davis, Pierre Boulez, Harry Bicket, Charles Dutoit, Sir Mark Elder, Dennis Russell Davies, Asher Fisch, Nicholas McGegan, and James Levine. Additionally, he has also been soloist with the Kingsport Tennessee Symphony, Orchestra of the Pines in Nacogdoches, Texas, National Symphony Orchestra of Costa Rica and National Taiwan Symphony Orchestra.
Pikler served as concertmaster of the Chicago Chamber Orchestra under Dieter Kober, touring with it and also performing as soloist on over more than 70 occasions; the Sinfonia Orchestra of Chicago under Barry Faldner; the Orchestra of the Apollo Chorus; the Chicago Opera Theater Orchestra; the Northbrook Symphony under Samuel Magad and Lawrence Rapchak; and the Symphony of Oak Park and River Forest under Jay Friedman. He served as principal violist of the Ars Viva Symphony Orchestra under Alan Heatherington.In addition, he was principal viola of the Ravinia Festival Orchestra and guest conducted the Chicago Chamber Orchestra several times.
A chamber music enthusiast, he has performed with several ensembles, including the Chicago Symphony String Quartet and the Tononi Ensemble with pianist Susan Merdinger. Pikler has been a guest artist with the Daniel String Quartet in Holland, the Vermeer Quartet of De Kalb, and the Louisville String Quartet. In 1990, he performed Frank Beezhold’s Viola Concerto, which was composed for and dedicated to him, with the Civic Orchestra of Chicago at Orchestra Hall. He also has recorded it in the composer’s own transcription for piano and viola with Dorothy Shultz.
He has recorded Easley Blackwood’s chamber music with the composer for Cedille Records. He was featured as soloist on the Sewanee Symphony’s 2003 recording of Berlioz’s Harold in Italy for Solo Viola and Orchestra, with Victor Yampolsky conducting. In 1995 and 1996, he served as guest principal violist for the Boston Symphony under Seiji Ozawa and was a guest violist at the Bay Chamber Concerts in Rockland, Maine. Pikler participates in the Grand Teton Music Festival in Jackson Hole, Wyoming. While on sabbatical from the CSO during the 2014–15 season, Pikler performed as a substitute section violist at the Lyric Opera of Chicago for two operas by Strauss and Wagner.
Mr. Pikler served on the faculty of Northwestern University, North Park University, Northeastern Illinois University, Wheaton College and the American Conservatory of Music. He coached the violists of the Civic Orchestra of Chicago, as well as other ensembles at the Midwest Young Artists program in Highwood, Illinois. Pikler is the founder and music director of I Solisti, a chamber orchestra which is part of the Midwest Young Artists program. Pikler has taught or given Master Classes at prestigious universities, conservatories and music festivals such as Eastman School of Music, University of Missouri - Kansas City, Sewanee Music Festival, and others.
Pikler and his wife, Ruth, have two sons, David, a Math teacher in Houston's prestigious Village School, and Andrew, a software engineer in Tel Aviv, Israel and a daughter, Amy, a violist with the San Antonio Symphony and soon to be member of the Utah Symphony.
During retirement, Pikler is completing a massive archival recording project he started in 1999, namely a remastering of the recordings of his late professor Bronislaw Gimpel.
CONTACT EMAIL: firstname.lastname@example.org
CONTACT PHONE: 847-835-5362
“Charles Pikler has emerged as a violist of real stature, with the special gift of finding and projecting the deepest melodic strains in this music. . [Bartok's Viola Concerto]. This music has never made so forceful an impression on me. It was highly idiomatic, passionately sung, and poignant beyond words.”
— Robert C. Marsh, Chicago Sun-Times, October 6, 1990
“Pikler is a superb violist and, playing from the score, he did everything possible to breathe life into the score's morose ruminations. His tone --dusky at the low end, violin-like on the top-- was wonderfully free of the nasality that afflicts so many solo violists and he drew examplary support from Solti and his colleagues.”
— John von Rhein, The Chicago Tribune October 5, 1990
“He sang the opening solo [Hindemith's Der Schwanendreher] with a mellow, seamless sound....Nothing fazed Pikler technically,, certainly not the many double stopped passages in which the viola accompanies itself. He even made the awkward scrubbing of the finale sound musical.”
— John von Rhein, The Chicago Tribune
“He played extremely well with a tone firm and large, navigating the numerous rapid passages at an incredible clip with complete facility.”
— Arch Crossley, The Day, New London, CT
“It was Mozart's Violin Concerto in D major, K. 218, played on viola by Charles Pikler, the star of this versatile, accomplished orchestra. The result gave the appearance of a happy post-Mozart anniversary celebration. in fact, the concerto was performed with joyful musicality technically exquisite in addition to a beautiful bell-like sound rendered with stylistic understanding. ”
— Eckhart Schwinger, Neue Zeitung, Berlin, Germany March 3, 1992
“"Superbly expressive solo work"”
“I am beyond grateful and honored to be a student of Mr. Pikler. Mr. Pikler is an absolutely remarkable person. Since my first lesson, he has been my musical inspiration and role model. I admire his immense dedication to music and his students, his vast knowledge and high encouraging spirit. I cannot thank him enough for the years I have worked with him and for all his tremendous help.”
— Peter Dudek, student
“Mr. Pikler is one of the most influential figures in my life, from both a musical and personal perspective. As a musician, his guidance and immense knowledge of the viola’s solo, chamber, and orchestral repertoire, as well as his deep understanding of how to effectively and beautifully play the viola has shaped my very identity as a musician. I progressed rapidly under his teaching. As a person, Mr. Pikler is one of the nicest men I have ever had the pleasure to spend time with, with his funny quips and genuine care for his students. I think I speak for myself and for other students in his studio when I say I view him as one of the greatest mentors I’ve ever had, as well as a caring father figure. ”
— Jacob Rollins, Viola student at the Eastman School of Music
“Charles Pikler is a superb instructor. His wealth of music knowledge and his passion for the viola is wonderful, and he's always willing to do whatever it takes to help his students reach the next level. I never leave my lessons without a smile on my face.”
— Nathaniel Sendi, Student
“Charlie Pikler has been an essential teacher and coach for me since I first switched from violin to viola at age 16. He helped me gain acceptance into the ILMEA All-State Honors Orchestra as a high school junior after only a few short lessons on viola. Now that I have graduated from Eastman and USC Thornton School of Music, Charlie has been an indispensable help to me in refining my playing of the orchestra excerpts required for professional orchestra auditions. His knowledge of the symphonic and operatic repertoire as well as the solo repertoire for violin and viola is encyclopedic and profound. He combines his knowledge and performance experience with a true passion for teaching and he has helped me play my auditions with confidence and ease. Best of all is his great sense of humor and a unique gift for solving all kinds of technical and musical problems we face as violists.”
“At a time when I was starting to burn out and playing music was becoming a chore, Mr. Pikler reminded me of what originally attracted me to the art. I admire his immeasurable knowledge in his field, his self-assurance regardless of the circumstances, and his refusal to accept anything less than my best. His love for music inspires me in all that I do.”
“Mr. Pikler's teaching directly impacted my son's acceptance as a viola major to many of the top music conservatories with significant scholarship offers. His expertise in audition preparation, literature knowledge, and performance technique is unequivocally second to none. His passion for his students' success is genuine. I could not think of a better educator and mentor for my son.”
— Lori Andy Rollins mother of student, Jacob Rollins